
VIDEO: Heavenly Bodies: Fashion and the Catholic Imagination at The Met
Contemporary couture and Medieval art on view at "Heavenly Bodies: Fashion and the Catholic Imagination" at The Met Come October, The Met will probably ...
Contemporary couture and Medieval art on view at "Heavenly Bodies: Fashion and the Catholic Imagination" at The Met Come October, The Met will probably ...
Morgan Bulkeley: Paintings "I see in nature and in the best of humanity an incredible beauty; but I also see in our technology and aggression a will and ...
An interview with Edwynn Houk, member AIPAD Collecting anything is about bearing witness to the process and development of a chosen topic or ...
An interview with Howard Greenberg, member AIPAD It really is all about scale. We want our technology smaller, and at the same time we want to be able ...
An interview with James Danziger, member AIPAD In the age of smartphones and the ever-improving (and shrinking) optics, taking pictures of ourselves and ...
How to 'carve space' with obsolete and repurposed objects? "There are numerous, varied and sometimes conflicting aspects to my work, usually ...
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The Photography Show 2016 We were delighted to meet Patricia Conde, founder and director of the Patricia Conde Galeria, during this year's installment ...
AXA Art Americas on its role as the lead sponsor of AIPAD With the 36th installment of The Photography Show about to launch at The Park Avenue Armory galleryIntell ...
"...thinking behind the photograph could come from fashion, it could come from science, journalism and it’s just this very broad endeavor, that everybody ...
"Our strength is to show you... what we think is the best..." Catherine Edelman, President AIPAD This year, in anticipation of the 36th annual Photography ...
"Gutai Art does not change the material but brings it to life.“ The process of creating a work of art is often laborious, private, very complex, ...
"I demand a lot of my viewers and one of the things I demand is that I will give you the opening sentence, or the opening paragraph of a narrative, but ...